Deep parchement rose in 4 levels, 2 layers for each level. Liberally created for guitar.

Deep parchement rose in 4 levels, 2 layers for each level. After a XVII century guitar by Giovanni Tessler, preserved at the Museo degli Strumenti Musicali Antichi in Rome.

Deep parchement rose in 4 levels, 3 layers for each level. After a XVII century italian guitar.

Deep Parchement Rose In  6 levels , 2 layers for each level. .  Alexandre Voboam (1676).

Deep parchement rose in 4 levels, 2 layers for each level. After a 1648 guitar by Jacques Dumesnil, preserved at the Mus�e de la Musique in Paris.

Set of 5 flat parchement roses, in 2 layers. As an alternative, the first layer can be made out of pearwood and the second in parchement, as in the photo. After an anonymus vihuela (Guadalupe) preserved at the Muse� de la Musique in Paris.

Flat rose in 3 layers, one in pearwood and two in parchement. The rose in the photo has been treated with a particular aging paint effect. After a guitar by Antonio Stradivari, 1688, preserved at the Oxford Museum.

Flat rose in 2 layers, pearwood and parchement. After a guitar by Cristoforo Cocho, 1602, preserved at the Mus�e de la Musique in Paris.

Flat rose in 3 layers, 1 in perawood and 2 in parchement. After a guitar by Matteo Sellas, first half of XVII century, preserved within the Macaulay Collection in Edimburgh

Flat parchment rose in 2 levels, 2 layers for each level. After a mandolin by Antonio Stradivari, 1680, preserved at the National Music Museum in South Dakota.